The disposition determines the argument

The melancholic philosopher, such as Baudrillard or Milton, will generate an existential paradise that is somehow inaccessible: a transcendent realm we can no longer reach.

The giddy spirit, such as Deleuze-Guattari, will announce an alternate "coding," allowing for merging, newness, and escape, lines of flight for the hopeful.

Schopenhauer is a curmudgeon, Kierkegaard a hopeless romantic, and Camus a brutally poetic cynic.

Their disposition forms an argument, a rebuttal to the world.